And that creates an entirely new set of problems for the engineer. Such as for example, adjusting adjusting the volume knob on their electric guitar. So the result is an endless back-n-forth of:Įven worse, this creates a tendency for musicians to start controlling their own volume in ways that you don’t want them to. They put the volume control in the hands of the engineer, rather than the musician.Īnd the engineer has no clue what the musician hears in his headphones, or what he wants to hear. Up next… The Ultimate Solution in Studio Headphone AmpsĪ major flaw with headphone amps in general is: Presonus HP60 – ( Amazon/ B&H/ Thomann). Overall, it easily has the best price to value on this list. Third, it has talkback capabilities, which allows the engineer to communicate easily with the talent. A common problem with many cheaper headphone amps is a lack of volume due to varying headphone impedances. With 150 mW per channel, it has as much volume as you need. None of the other amps we’ve seen so far can do this. Then control the volume of that click individually on each channel. With 8 channels, front/back inputs, and the same “more me” function as the HeadAmp6…it adds a number of additional features as well:įirst, it has DUAL stereo inputs with a mix knob on each channel, so you can set up a click track on the second input. While it’s more expensive than the others we’ve seen so far, in my opinion, it has the ideal ratio of price to features. If there was one headphone amp I’d recommend for the majority of home studios, it’s the HP60 by Presonus.
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